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walkers tws5/w380nb/tws nb/earjoy 1和其他CES 2019：提供真正的无线、降噪耳机_我的网站

一 | 1月10日：在今年的CES国际消费电子展上，Walkers推出了多种音频产品，包括各种形式的无线耳机以及音频产品。

二 | 让我们来了解一下。tws5真正的无线耳机\u图片来源于edifier walker public number walker tws5真正的无线蓝牙耳机，采用单独设计，首次使用高通QCC3026芯片组，能带来良好的射频性能，并具有更强的低电流消耗功能。    Ahead of director Priyadarshan nearing the remarkable milestone of 100 films, Filmfare's Editor-in-Chief Jitesh Pillaai reflects on the filmmaker’s unmatched legacy, especially in Malayalam cinema and why the maestro deserves to be celebrated much more.          In his words:     Kilometers of Laughter: A Journey Through Priyan’s World     He is on his century—that is 100 films old. I think he is currently batting on 99. Inching close to seventy years of age, Director Priyadarshan has celebrated enough. He should be toasted for his style and his Malayalam body of work. Cine goers of a certain vintage remember him for his sharp comedies, including his debut Poochakkoru Mookkuthi. He paid tribute to Sai Paranjpye with Odaruthammava Aalariyam (inspired by Chashme Buddoor) and Mukunthetta Sumitra Vilikkunnu. He rehashed several Malayalam films like Ramji Rao Speaking, Kireedam, and Punjabi House to give us a slew of Hindi bonanzas like Hungama, Hulchul, Gardish, and of course, the rib-tickling Hera Pheri.                    Priyadarshan brought spit and polish to Malayalam movies with technical marvels like Kaalapani and Kanchivaram. The team of Mohanlal and Priyadarshan gave us a slew of classics: Kinnararam, Kilukkam, Thenmavin Kombath, Chandralekha, and Mithunam. Films like Mazha Peyyunnu Maddalam Kottunnu, Kilukkam, and Thenmavin Kombath reach "iconic" status with every passing year.     What makes the familiar and time-tested Priyadarshan tropes so warm and all-embracing? He gave comedy a mad, zany world appeal. He humanised comedians and gave them an afterlife. Whether it was Vellanakalude Nadu or Adwaitham, Priyadarshan showed us life’s foibles; he showed us how a unique strength lies within our dysfunctional families and their frailties. With a master craftsman like Mohanlal helming his ventures, you could not go wrong.          You may recall the Priyadarshan of Bhool Bhulaiyaa and Bhagam Bhag, but he is more than all of that. He redefined comedy and rewrote the rules of drama. He mocked filmmakers ever so gently and turned the rules of filmmaking topsy-turvy. Watch that one scene in Boeing Boeing where a three-timing Mohanlal is trying to hide his three girlfriends in different rooms; it is a hoot. That scene was later re-enacted in Garam Masala by John Abraham and Akshay Kumar.          To reduce Priyadarshan’s oeuvre to just comedy is to diminish his legacy. One of my favourite films of his, Dheem Tharikida Thom, about a run-down drama troupe, is a classic. As are Punnaram Cholli Cholli and Thalavattam. Like all great filmmakers, Priyadarshan harnessed the best out of Santosh Sivan, Sabu Cyril, and S. Kumar, alongside his band of wonderful ensemble actors: Nedumudi Venu, KPAC Lalitha, Innocent, Oduvil Unnikrishnan, and Mamukkoya. You have to watch Mithunam to realise his legerdemain and absolute control of his craft.          It would be a pity if Priyadarshan is cited only for his Bollywood outpourings. What he gave to Malayalam cinema was clout, longevity, charisma, and unabashed storytelling. I have lost count of the times I have watched Kilukkam, Vandanam, Mazha Peyyunnu Maddalam Kottunnu, and Poochakkoru Mookkuthi. He makes the absurd believable and the impossible look real.          Priyadarshan is a part of our Malayalam movie memories and our rites of passage. If we cut our milk teeth on Poochakkoru Mookkuthi, we came of age with Vandanam and Kaalapani. I assure you, well into our dotage, we will still be chuckling at the "kilometers and kilometers" joke from Mazha Peyyunnu Maddalam Kottunnu. Like Priyadarshan and his movies, we grew up at the turnstiles. His music and his shot-taking changed the lexicon of how Malayalam film songs are picturized. We still sway to Doore Kizhakudikkum, Ambalappuzhe, and Ende Manassil Oru Naanam.          Priyadarshan is not celebrated enough, which is a pity because it means we do not celebrate our wonder years enough. You may go and enjoy Bhooth Bangla in theatres soon, while I will yet again rewind to the mad world of Vandanam and Boeing Boeing. Priyadarshan’s gift to the movies is that he made us all believe in magic and the fanciful, and he never let us grow up.     Also Read: Bhooth Bangla: Priyadarshan Openly Discusses The Age-gap Between Akshay Kumar and Wamiqa Gabbi。官员们说，这种耳机一次最多可以播放8个小时，而音乐的播放总时间超过32个小时。W380NB入耳式混合降噪耳机W380NB入耳式混合降噪耳机采用真皮挂颈和金属质感前端外观相结合，采用复合降噪技术，支持“环境声音监控”和“应用程序控制”，支持APTX音频解码。

三 | 官员们说，耳机可以持续12个小时，同时蓝牙和降噪功能也可以使用。TWS NB是Walker TWS系列中的第一款降噪耳机。

四 | TWS NB具有小巧轻便的造型和降噪功能，支持“环境声音监控”和“应用程序控制”。在耐力方面，这款耳机一次最多可使用5小时，连续使用20小时。Earjoy 1在展会上，Walkers推出了新的Earjoy系列真正的无线耳机。

五 | Earjoy 1配备了紧凑型移动式熨斗单元和高通QCC3026芯片。虽然耳机体积小，但一次最多可使用8小时，而且在充电盒的帮助下还可以提供额外的24小时耐力。Walkers表示，该系列后续产品也将有多台移动铁器的应用。GM450手动耳塞GM450手动耳塞已于2018年底上市。它们有全频单元和叠加的能量感强的超低频单元。

六 | 官员们说，该插入式麦克风合作伙伴有内置麦克风，以确保全向拾音。此外，“明星学生”的设计风格给GM450一个独特的未来外观。除了A800飞机，沃克还发布了A800飞机声音多场景应用，以及G7000无线超低音游戏声音。

七 | 官员们还没有公布这些产品销售的详细信息。

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Published on:10:33:45